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Reviews of Olympus M.Zuiko Digital 12-40mm f/2.8 ED Pro

Testseek.es han recogido 21 las revisiones expertas de el Olympus M.Zuiko Digital 12-40mm f/2.8 ED Pro y el grado medio es el 73%. Enrolle abajo y vea todas las revisiones para Olympus M.Zuiko Digital 12-40mm f/2.8 ED Pro.
 
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  Publicación: 2019-07-10, crítica de: dpreview.com

  • Resumen:  Whether you're new to the Micro Four Thirds system or a seasoned veteran, there are plenty of lenses available for you.In this guide we've outlined several use cases and made recommendations for the best overall lens for that purpose, along with two other...

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  Publicación: 2016-01-13, Autor: Matthew , crítica de: digitalcameraworld.com

  • Resumen:  We put eight game-changing fast prime lenses for mirrorless cameras through their paces to see if they're worth the money.The Contenders 1 Fujifilm Fujinon XF 56mm f/1.2 R, £900 / $1,000 2 Nikon 1 Nikkor 32mm f/1.2, £650 / $720 3 Olympus M.Zuiko 25mm 1:1...

 
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  Publicación: 2014-06-16, Autor: Kevin , crítica de: dxomark.com

  • Resumen:  We've analyzed the image quality of 33 lens models, around 70% of the current range using the native MFT mount, on the new Olympus OM-D EM-10. Read on to find out which of those lenses perform best and which, if any, you should try and avoid when paired w...

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  Publicación: 2014-05-05, Autor: Kevin , crítica de: dxomark.com

  • Resumen:  Following the lens recommendations for Lumix DMC-GX7 we've now analyzed the image quality of Panasonic's diminutive GM1 with over 33 lenses to assess the imaging characteristics specifically with the new camera. Read on to find out which of those models y...

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  Publicación: 2014-04-20, crítica de: Slrgear.com

  • The new Olympus 12-40mm ƒ/2.8 Zuiko PRO is a powerhouse of a lens with excellent optical performance: sharp images, great CA control, hardly any distortion and low vignetting. The rugged, metal build quality that's dust-, splash- and freeze-proof really m...

 
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  Publicación: 2013-12-18, crítica de: lenstip.com

  • solid casing, mostly made of metal, excellent image quality in the frame centre, very good image quality on the edge of the frame, very good correction of chromatic aberration, moderate astigmatism, splendid, fast and silent autofocus, sensible performanc
  • huge distortion at the wide angle of view, distinct coma at the maximum focal length, noticeable vignetting at the shortest focal length.
  • The Panasonic G X VARIO 12–35 mm f/2.8 ASPH. P.O.I.S set the standards pretty high in this category but the Olympus company managed to meet them without any problem. First of all they produced a bit cheaper lens with a wider focal range. When it comes to ...

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  Publicación: 2013-12-13, Autor: Kevin , crítica de: dxomark.com

  • Resumen:  We've had the opportunity to analyze the image quality of Panasonic's high-end 16-Mpix Lumix DMC-GX7 mirrorless camera with over 70% of the native mount lenses that are currently available (for it). We've scrutinized a total of 33 Panasonic, Olympus and S...

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  Publicación: 2013-11-29, Autor: Kevin , crítica de: dxomark.com

  • Resumen:  The Olympus OM-D E-M1 is the new flagship model in the range and features a newly-designed pro-grade body and a modified 16-Mpix sensor incorporating on-chip phase-detection pixels for backwards compatibility with the firm's 4:3 lenses.While we've not ana...

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  Publicación: 2013-11-14, Autor: Kevin , crítica de: dxomark.com

  • The Olympus M. Zuiko Digital ED 12-40mm f/2.8 PRO is a good lens, very good in fact, easily challenging the optical performance of the rival, and slightly dearer Panasonic model as well as high-grade APS-C lenses. But, at a whisker under $1000, quality li...

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  Publicación: 2020-01-06, crítica de: photoreview.com.au

  • SPECSPicture angle: 84 to 30 degreesMinimum aperture: f/22Lens construction: 14 elements in 9 groups (including 2 aspherical, 1 aspherical ED, 1 DSA, 2 ED, 1 HD  and 2 HR elements)Lens mounts: Micro Four ThirdsDiaphragm Blades: 7 (circular aperture)Focus...

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