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Publicación: 2018-05-29, Autor: Jim , crítica de: stereophile.com
First, though, I had to match levels. I began with my PS Audio BHK Signature preamp, setting it to a level that seemed natural for the music. Then I played a white-noise track, and measured the output with a digital meter 79.2dB, with the BHK's volume lev...
Publicación: 2018-02-22, Autor: Art , crítica de: stereophile.com
Even when I began playing music, the KX-5 Twenty's user interface hindered rather than helped: With a CD playing in my Sony disc player, and with the appropriate input selected and the preamp's volume turned up to "20" (of a range of "0" to "46"), the sig...
In his e-mails to me, Charles Hansen noted more than once that his goal with the Twenty series was to produce products that “ensure that the musical engagement and beauty of tubes has been surpassed, while all of tubes' drawbacks are completely sidesteppe...
In his e-mails to me, Charles Hansen noted more than once that his goal with the Twenty series was to produce products that “ensure that the musical engagement and beauty of tubes has been surpassed, while all of tubes' drawbacks are completely sidesteppe...
Publicación: 2014-08-13, Autor: Lasse , crítica de: Lydogbilde.no
Resumen: Glem det. Bare glem det. Riktignok er Ayres ferskeste forsterkere basert på deres svinedyre referanseforsterkere, men det betyr slett ikke at dette er high-end light. Langt i fra. Tross halv pris, er det ingen ting som vitner om at Ayres ingeniører har sp...
