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Resumen: Color 1.0 was my most eagerly anticipated component of Final Cut Studio 2, since Id previously used its powerful progenitor, Final Touch with a 15,000 control surface. The promise of a beautiful professional color correction tool was mitigated by the...
Resumen: Kevin McAuliffe As everyone knows, the inclusion of FinalTouch (renamed Color by Apple) into Final Cut Studio 2 was shocking. A few months before Apple announced it, I looked at purchasing FinalTouch as a separate, stand alone application for a post f...
Substantial improvements in round tripping from Final Cut Pro; support for the new ProRes and other formats at up to 4K; affordable control surface support; myriad fixes.
Still a few issues with Final Cut Pro round tripping; effects, transitions and filters done in FCP don’t display in Color; slow final renders; no network rendering for final output; high system requirements.
by Mike Curtis, Macworld.com Color 1.0 was my most eagerly anticipated component of Final Cut Studio 2, since I’d previously used its powerful progenitor, Final Touch with a $25,000 control surface. The promise of a beautiful professional color corr...
L'interaction améliorée avec Final Cut Pro, Support des nouveaux codecs ProRes, Support de nouveaux formats jusqu'à 4K de résolution, Compatibilité avec les surfaces de contrôle d'entrée de gamme
Toujours quelques problèmes avec Final Cut Pro, Des rendus relativement long, Pas de support des rendus via le réseau, Grosse configuration nécessaire
Color 1.5 reste une application très spécifique qui ne reprend pas vraiment la fameuse patte Apple améliorant les interfaces et facilitant le travail. Ici, tout est codifié à destination des professionnels de l'image. Le logic...
